When pop diva Sheila Lews dies under puzzling circumstances, Clarisse Dufresne is approached by agents of a shadowy international crime syndicate with a proposition — “What if, after a period of time, say five years — yeah, make it five years — it was discovered that Sheila had left behind some unmixed tracks, songs she had been working on before she died but didn’t release? What do you think a find like that would be worth?”
Clarisse refuses to participate in the fraud and is rescued by a mysterious man named Maurice Crevier, who conceals both his face and his intentions behind a black, obsidian mask. But the savior soon becomes Clarisse’s tormentor when she learns that she is not his guest as he professes, but his prisoner.
Despite it all — and against her better judgment — Clarisse feels a growing fascination and affection for her jailer, as well as his odd henchmen — a voodoo-practicing Haitian and a young chef who is haunted by the ghost of her mother. Until a second attempt is made on her life. And a third.
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