When petty crook Trevor English is offered two thousand dollars to deliver a letter across the country, the choice seems fairly simple—money up front, no way he can go wrong.
And when he finds himself in possession of correspondence several parties would pay to get their hands on, the choice seems even simpler—take what he can, while he can, from who he can…and disappear.
this letter to Norman Court is the first installment in Pablo D’Stair’s five-novella Trevor English cycle.
Praise for the books by Pablo D’Stair:
“D’Stair is clearly a master. Likely Jean Patrick Manchette reincarnated…” —Matt Phillips, author of Countdown and The Bad Kind of Lucky
“Somehow again and again you’re drawn in…you get used to the book’s rhythm and follow it because the work is obsessive. We find ourselves in a languid kind of suspense, bracing ourselves…” —Bret Easton Ellis, author of American Psycho
“Pablo D’Stair doesn’t just write like a house afire, he writes like the whole city’s burning, and these words he’s putting on the page are the thing that can save us all.” —Stephen Graham Jones, Bram Stoker Award-winner
“Pablo D’Stair is defining the new writer [and the new film maker]. D’Stair’s late realism needs to be included in any examination of the condition of the novel.” —Tony Burgess, award-winning author/screenwriter
“Like Kerouac before him, I felt there was one roll of paper on which the story was typed. And there’s a rhythm behind it. Not the speedy bop of jazz this time, more an urban dubstep. Shadows and edges becoming audible.” —Nigel Bird, author of Smoke
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